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1 by
[baɪ]1. prep1) у, около; вдоль, по, мимо2) посредством3) сквозь, через4) по направлению, к6) до, к7) по, согласноone by one — по одному, один за другим
2. adv1) рядом, поблизостиby the by/way — кстати, между прочим, вскоре
2) мимо -
2 lirica
f (pl -che) lyric poem* * *lirica s.f.1 lyric poetry: la lirica amorosa del Petrarca, Petrarch's love poetry2 (componimento lirico) lyric (poem): una lirica giovanile di Dante, a youthful lyric by Dante3 (il teatro lirico) opera: la lirica italiana, Italian opera.* * *2) mus. opera* * *liricapl. - che /'lirika, ke/sostantivo f.2 mus. opera. -
3 di
1. prep ofcon il comparativo thandi ferro (made of) ironicio sono di Roma I'm from Romel'auto di mio padre my father's caruna tazza di caffè a cup of coffeedi giorno by dayparlare di politica talk about politicsd'estate in the summerdi questo passo at this ratedi chi è questo libro? whose is this book?, who does this book belong to?più bello di prettier than2. art someinterrogativo any, somedel vino some wine* * *di prep.1 ( specificazione) of: il calore del sole, the heat of the sun; l'inizio della primavera, the beginning of spring; il capo dei ribelli, the leader of the rebels (o the rebel leader); il profumo delle rose, the scent of roses; l'altezza di un edificio, the height of a building; la fine di un film, the end of a film; il centro della città, the centre of town (o the town centre); il senso dell'umorismo, a sense of humour; una folla di dimostranti, a crowd of demonstrators; una serie di errori, a series of mistakes; la furia degli elementi, the fury of the elements; i vetri della finestra, window panes; gli impiegati delle poste, post office workers; il canto degli uccelli, birdsong (o the song of birds)2 (specificazione con valore di possesso; in inglese si esprime spesso con il 'caso possessivo'): la casa di Sara, Sarah's house; il fratello di Giacomo, James's brother; il figlio dei Rossi, the Rossi's son; le odi del Carducci, Carducci's odes; la riunione di martedì, Tuesday's meeting; la coda del gatto, the cat's tail; la maniglia della porta, the door handle; la porta della cucina, the kitchen door3 ( partitivo) some, (in frasi interrogative, dubitative e negative) any: mangiammo del pane, we ate some bread; è uscita con dei conoscenti, she went out with some people she knew; abbiamo visto delle belle scarpe, we saw some nice shoes; c'è ancora del vino?, is there any wine left?; alcuni degli alunni, some of the pupils; ciascuno di noi, each of us4 (retta da nomi che indicano quantità, numero) of: un chilo di pane, a kilo of bread; una dozzina di uova, a dozen eggs; ci vuole un minimo di buon senso, it takes a bit of common sense; un po' di coraggio, some courage // niente di bello, di interessante, d'importante, nothing nice, interesting, important; qualcosa di nuovo, something new5 (denominazione; talvolta in inglese non si traduce) of: la città di Roma, the city of Rome; l'isola di Capri, the isle of Capri; il mese di febbraio, the month of February; una ragazza di colore, a coloured girl; il nome di Giovanni, the name John6 ( qualità, condizione) at, in, by: sano di corpo, healthy in body; buono d'animo, good at heart; conoscere qlcu. di nome, to know s.o. by name7 ( argomento) about, of: discutere di sport, to talk about sport; parlare bene di qlcu., to speak well of s.o.; un testo di chimica, a chemistry text; un film di spionaggio, a spy film8 ( appartenenza) by: un libro di Calvino, a book by Calvino; un film di Fellini, a film by Fellini; un'opera di Raffaello, a work by Raphael; una sinfonia di Mahler, a symphony by Mahler; una poesia di Montale, a poem by Montale; un'opera di Verdi, an opera by Verdi9 ( per introdurre un secondo termine di paragone) than (dopo compar.); of, in (dopo superl.): Marco è più alto di Giorgio, Mark is taller than George; è il più simpatico dei fratelli, he's the nicest of the brothers; la più grande città del Giappone, the biggest city in Japan; il fiume più lungo del mondo, the longest river in the world10 ( modo): essere di buon umore, to be in a good mood; bere tutto di un fiato, to drink it all in one gulp; ridere di cuore, to laugh heartily; sollevare di peso, to lift up bodily; andarsene di corsa, to rush off11 ( materia): una statua di marmo, a marble statue; una tavola di legno, a wooden table; una borsa di pelle, a leather handbag; una crostata di mele, an apple tart // un cuore d'oro, a heart of gold // un pugno di ferro, an iron fist // castelli di carta, castles in the air12 ( età, valore, misura): un bambino di 6 anni, a 6-year-old child (o a child of 6); un uomo di mezza età, a middle-aged man; un assegno di 500 euro, a cheque for 500 euros; un edificio di 10 piani, a 10-storey building; un circuito di mille metri, a thousand metre circuit; una distanza di 8 km, a distance of 8 kilometres (o 5 miles); una parete di 4 metri, a 4 metre-long wall (o a wall 4 metres long); un appartamento di 150 mq, a flat of 150 square metres13 ( causa) of, for, with: morire di sete, to die of thirst; piangere di gioia, to cry for joy; accusare di furto, to charge with theft; reo di omicidio, guilty of murder14 ( mezzo) with, on: ungere di burro, to grease with butter; cospargere di sale, to sprinkle with salt; campare del proprio stipendio, to live on one's own earnings; vivere di illusioni, to live on illusions15 ( moto da luogo, origine, provenienza, anche fig.) from; out of: uscire di casa, to go (o to come) out of the house (o to leave home); essere di Roma, to be (o to come) from Rome; di dove sei?, where are you from? (o where do you come from?); era di buona famiglia, (s)he was from a good family; allontanati di lì, get away from there; lontano di qui, a long way from here (o a long way off) // uscire di strada, to leave the road // mi cadde di mano, it slipped out of my hand // smontare di sella, to dismount16 ( tempo): di mattina, di sera, in the morning, in the evening; di notte, at night; d'inverno, d'estate, in winter, in summer; di sabato, on Saturday (s); una sera di ottobre, an October evening; un corso di 3 mesi, a three-month course; una lezione di un'ora, an hour-long lesson; una gita di 2 giorni, a two-day trip; una vacanza di un mese, a month's holiday // di recente, recently // di giorno in giorno, from day to day // di anno in anno, from year to year // di tanto in tanto, every now and then (o every so often)17 ( limitazione, privazione): duro d'orecchio, hard of hearing; essere debole di cuore, to have a weak heart; a corto di soldi, short of money; privo di mezzi, without means; mancare di esperienza, to be without experience18 ( destinazione, scopo): stanza di soggiorno, living-room; sala di lettura, reading room ∙ Come si nota dagli esempi, nei significati 1, 2, 6, 7, 10, 11, 12, 16, 18 si usa spesso in inglese la forma aggettivale o avverbiale in luogo del compl. introdotto dalla prep. di19 (seguito da un verbo all'inf. in dipendenza da altro verbo): decidemmo di partire subito, we decided to leave at once; gli dissi di andarsene, I told him to go away; non avevo intenzione di offenderti, I didn't mean to offend you; credo di aver ragione, I believe I'm right; pensava di fare il medico, he thought of becoming a doctor20 (in unione con altra prep.): contro di lui, against him; dopo di te, after you; sopra, sotto di noi, above, below us; dietro di me, after (o behind) me21 (in unione con un avv.): di qua, over here (o on this side); di là, over there (o on that side); di dentro, inside; di fuori, outside.◆ FRASEOLOGIA: di certo, surely; di frequente, often; di rado, seldom; di nuovo, again; di solito, usually; del resto, besides, moreover; di gran lunga, by far // di male in peggio, from bad to worse // ne ha combinati di guai, he caused a lot of trouble // dire di sì, di no, to say yes, no // credere di sì, di no, to think so, not.di s.f. o m. letter D.* * *[di] di + il = del, di + lo = dello, di + l' = dell', di + la = della, di + i = dei, di + gli = degli, di + le = delle1. prep1) (possesso) of, (composto da, scritto da) byla macchina del mio amico/dei miei amici — my friend's/friends' car
la figlia dell'amica di mia madre — the daughter of my mother's friend, my mother's friend's daughter
l'ultimo libro di Umberto Eco — Umberto Eco's latest book, the latest book by Umberto Eco
2) (specificazione, denominazione) ofil professore d'inglese — the English teacher, the teacher of English
3)una casa di mattoni — a brick house, a house made of brick(s)
4) (provenienza) from, out of, (posizione) in, onuscire di casa — to come out of o leave the house
i negozi di Milano — the Milan shops, the shops in Milan
i vicini del piano di sopra — the upstairs neighbours, the people who live on the floor above us
5)d' estate — in (the) summer
6)una stanza di 2 metri per 3 — a room measuring 2 metres by 3
7)fermarsi di botto — to stop dead o suddenly
di cancro — to die of cancerdi burro — to spread with butterqc di sugo — to get sauce on sth8) (argomento) about, ofdel tempo — to talk about the weatherdi qc — to talk about sth9)(abbondanza, privazione)
pieno di — full ofdi carbone — poor in coaldi — lacking indi risorse naturali — rich in natural resources10) (paragone nei comparativi) than, (paragone nei superlativi) ofè meglio di me — he's better than me
11)ti chiedo di dirmi la verità — I beg you to tell me the truth
2. art partitivonon ho dei libri — I haven't any books, I have no books
c'erano delle persone che non conoscevo — there were some people I didn't know
* * *I [di]1) (appartenenza, possesso)l'auto di Paolo, di tuo fratello, dei miei genitori — Paolo's, your brother's, my parents' car
l'auto è di Paolo, di mio fratello — the car is Paolo's, my brother's, the car belongs to Paolo, to my brother
il Primo Ministro del Giappone — the Japanese Prime Minister, the Prime Minister of Japan
la riunione di lunedì, del 7 gennaio — Monday's meeting, the meeting on the 7th of January
3) (autore) byle opere di Dante — Dante's works, the works of Dante
4) (causa) with, formorire di cancro — to die of o from cancer
5) (materia) of, in6) (misura)un libro di 200 pagine — a 200-page book, a book 200 pages long o in length
un interesse del 5% — a 5% interest
7) (origine) from8) (argomento) aboutparlare di qcn., qcs. — to talk about sb., sth.
ridere di qcn. — to laugh at sb
alto di statura — tall of o in stature
di nascosto — out of sight, secretly
di notte — at night, by night
12) (in espressioni di moto, stato)è di sotto, di là — he's downstairs, in the next room
qualche cosa, niente di nuovo — something, nothing new
14) (con un infinito) to15) (nel comparativo) thanII [di]sostantivo maschile e sostantivo femminile invariabile (lettera) d, D* * *di2/di/m. e f.inv.(lettera) d, D. -
4 dì
1. prep ofcon il comparativo thandi ferro (made of) ironicio sono di Roma I'm from Romel'auto di mio padre my father's caruna tazza di caffè a cup of coffeedi giorno by dayparlare di politica talk about politicsd'estate in the summerdi questo passo at this ratedi chi è questo libro? whose is this book?, who does this book belong to?più bello di prettier than2. art someinterrogativo any, somedel vino some wine* * *di prep.1 ( specificazione) of: il calore del sole, the heat of the sun; l'inizio della primavera, the beginning of spring; il capo dei ribelli, the leader of the rebels (o the rebel leader); il profumo delle rose, the scent of roses; l'altezza di un edificio, the height of a building; la fine di un film, the end of a film; il centro della città, the centre of town (o the town centre); il senso dell'umorismo, a sense of humour; una folla di dimostranti, a crowd of demonstrators; una serie di errori, a series of mistakes; la furia degli elementi, the fury of the elements; i vetri della finestra, window panes; gli impiegati delle poste, post office workers; il canto degli uccelli, birdsong (o the song of birds)2 (specificazione con valore di possesso; in inglese si esprime spesso con il 'caso possessivo'): la casa di Sara, Sarah's house; il fratello di Giacomo, James's brother; il figlio dei Rossi, the Rossi's son; le odi del Carducci, Carducci's odes; la riunione di martedì, Tuesday's meeting; la coda del gatto, the cat's tail; la maniglia della porta, the door handle; la porta della cucina, the kitchen door3 ( partitivo) some, (in frasi interrogative, dubitative e negative) any: mangiammo del pane, we ate some bread; è uscita con dei conoscenti, she went out with some people she knew; abbiamo visto delle belle scarpe, we saw some nice shoes; c'è ancora del vino?, is there any wine left?; alcuni degli alunni, some of the pupils; ciascuno di noi, each of us4 (retta da nomi che indicano quantità, numero) of: un chilo di pane, a kilo of bread; una dozzina di uova, a dozen eggs; ci vuole un minimo di buon senso, it takes a bit of common sense; un po' di coraggio, some courage // niente di bello, di interessante, d'importante, nothing nice, interesting, important; qualcosa di nuovo, something new5 (denominazione; talvolta in inglese non si traduce) of: la città di Roma, the city of Rome; l'isola di Capri, the isle of Capri; il mese di febbraio, the month of February; una ragazza di colore, a coloured girl; il nome di Giovanni, the name John6 ( qualità, condizione) at, in, by: sano di corpo, healthy in body; buono d'animo, good at heart; conoscere qlcu. di nome, to know s.o. by name7 ( argomento) about, of: discutere di sport, to talk about sport; parlare bene di qlcu., to speak well of s.o.; un testo di chimica, a chemistry text; un film di spionaggio, a spy film8 ( appartenenza) by: un libro di Calvino, a book by Calvino; un film di Fellini, a film by Fellini; un'opera di Raffaello, a work by Raphael; una sinfonia di Mahler, a symphony by Mahler; una poesia di Montale, a poem by Montale; un'opera di Verdi, an opera by Verdi9 ( per introdurre un secondo termine di paragone) than (dopo compar.); of, in (dopo superl.): Marco è più alto di Giorgio, Mark is taller than George; è il più simpatico dei fratelli, he's the nicest of the brothers; la più grande città del Giappone, the biggest city in Japan; il fiume più lungo del mondo, the longest river in the world10 ( modo): essere di buon umore, to be in a good mood; bere tutto di un fiato, to drink it all in one gulp; ridere di cuore, to laugh heartily; sollevare di peso, to lift up bodily; andarsene di corsa, to rush off11 ( materia): una statua di marmo, a marble statue; una tavola di legno, a wooden table; una borsa di pelle, a leather handbag; una crostata di mele, an apple tart // un cuore d'oro, a heart of gold // un pugno di ferro, an iron fist // castelli di carta, castles in the air12 ( età, valore, misura): un bambino di 6 anni, a 6-year-old child (o a child of 6); un uomo di mezza età, a middle-aged man; un assegno di 500 euro, a cheque for 500 euros; un edificio di 10 piani, a 10-storey building; un circuito di mille metri, a thousand metre circuit; una distanza di 8 km, a distance of 8 kilometres (o 5 miles); una parete di 4 metri, a 4 metre-long wall (o a wall 4 metres long); un appartamento di 150 mq, a flat of 150 square metres13 ( causa) of, for, with: morire di sete, to die of thirst; piangere di gioia, to cry for joy; accusare di furto, to charge with theft; reo di omicidio, guilty of murder14 ( mezzo) with, on: ungere di burro, to grease with butter; cospargere di sale, to sprinkle with salt; campare del proprio stipendio, to live on one's own earnings; vivere di illusioni, to live on illusions15 ( moto da luogo, origine, provenienza, anche fig.) from; out of: uscire di casa, to go (o to come) out of the house (o to leave home); essere di Roma, to be (o to come) from Rome; di dove sei?, where are you from? (o where do you come from?); era di buona famiglia, (s)he was from a good family; allontanati di lì, get away from there; lontano di qui, a long way from here (o a long way off) // uscire di strada, to leave the road // mi cadde di mano, it slipped out of my hand // smontare di sella, to dismount16 ( tempo): di mattina, di sera, in the morning, in the evening; di notte, at night; d'inverno, d'estate, in winter, in summer; di sabato, on Saturday (s); una sera di ottobre, an October evening; un corso di 3 mesi, a three-month course; una lezione di un'ora, an hour-long lesson; una gita di 2 giorni, a two-day trip; una vacanza di un mese, a month's holiday // di recente, recently // di giorno in giorno, from day to day // di anno in anno, from year to year // di tanto in tanto, every now and then (o every so often)17 ( limitazione, privazione): duro d'orecchio, hard of hearing; essere debole di cuore, to have a weak heart; a corto di soldi, short of money; privo di mezzi, without means; mancare di esperienza, to be without experience18 ( destinazione, scopo): stanza di soggiorno, living-room; sala di lettura, reading room ∙ Come si nota dagli esempi, nei significati 1, 2, 6, 7, 10, 11, 12, 16, 18 si usa spesso in inglese la forma aggettivale o avverbiale in luogo del compl. introdotto dalla prep. di19 (seguito da un verbo all'inf. in dipendenza da altro verbo): decidemmo di partire subito, we decided to leave at once; gli dissi di andarsene, I told him to go away; non avevo intenzione di offenderti, I didn't mean to offend you; credo di aver ragione, I believe I'm right; pensava di fare il medico, he thought of becoming a doctor20 (in unione con altra prep.): contro di lui, against him; dopo di te, after you; sopra, sotto di noi, above, below us; dietro di me, after (o behind) me21 (in unione con un avv.): di qua, over here (o on this side); di là, over there (o on that side); di dentro, inside; di fuori, outside.◆ FRASEOLOGIA: di certo, surely; di frequente, often; di rado, seldom; di nuovo, again; di solito, usually; del resto, besides, moreover; di gran lunga, by far // di male in peggio, from bad to worse // ne ha combinati di guai, he caused a lot of trouble // dire di sì, di no, to say yes, no // credere di sì, di no, to think so, not.di s.f. o m. letter D.* * *[di] di + il = del, di + lo = dello, di + l' = dell', di + la = della, di + i = dei, di + gli = degli, di + le = delle1. prep1) (possesso) of, (composto da, scritto da) byla macchina del mio amico/dei miei amici — my friend's/friends' car
la figlia dell'amica di mia madre — the daughter of my mother's friend, my mother's friend's daughter
l'ultimo libro di Umberto Eco — Umberto Eco's latest book, the latest book by Umberto Eco
2) (specificazione, denominazione) ofil professore d'inglese — the English teacher, the teacher of English
3)una casa di mattoni — a brick house, a house made of brick(s)
4) (provenienza) from, out of, (posizione) in, onuscire di casa — to come out of o leave the house
i negozi di Milano — the Milan shops, the shops in Milan
i vicini del piano di sopra — the upstairs neighbours, the people who live on the floor above us
5)d' estate — in (the) summer
6)una stanza di 2 metri per 3 — a room measuring 2 metres by 3
7)fermarsi di botto — to stop dead o suddenly
di cancro — to die of cancerdi burro — to spread with butterqc di sugo — to get sauce on sth8) (argomento) about, ofdel tempo — to talk about the weatherdi qc — to talk about sth9)(abbondanza, privazione)
pieno di — full ofdi carbone — poor in coaldi — lacking indi risorse naturali — rich in natural resources10) (paragone nei comparativi) than, (paragone nei superlativi) ofè meglio di me — he's better than me
11)ti chiedo di dirmi la verità — I beg you to tell me the truth
2. art partitivonon ho dei libri — I haven't any books, I have no books
c'erano delle persone che non conoscevo — there were some people I didn't know
* * *I [di]1) (appartenenza, possesso)l'auto di Paolo, di tuo fratello, dei miei genitori — Paolo's, your brother's, my parents' car
l'auto è di Paolo, di mio fratello — the car is Paolo's, my brother's, the car belongs to Paolo, to my brother
il Primo Ministro del Giappone — the Japanese Prime Minister, the Prime Minister of Japan
la riunione di lunedì, del 7 gennaio — Monday's meeting, the meeting on the 7th of January
3) (autore) byle opere di Dante — Dante's works, the works of Dante
4) (causa) with, formorire di cancro — to die of o from cancer
5) (materia) of, in6) (misura)un libro di 200 pagine — a 200-page book, a book 200 pages long o in length
un interesse del 5% — a 5% interest
7) (origine) from8) (argomento) aboutparlare di qcn., qcs. — to talk about sb., sth.
ridere di qcn. — to laugh at sb
alto di statura — tall of o in stature
di nascosto — out of sight, secretly
di notte — at night, by night
12) (in espressioni di moto, stato)è di sotto, di là — he's downstairs, in the next room
qualche cosa, niente di nuovo — something, nothing new
14) (con un infinito) to15) (nel comparativo) thanII [di]sostantivo maschile e sostantivo femminile invariabile (lettera) d, D* * *dì/di/m.inv.lett. day. -
5 commenter
commenter [kɔmɑ̃te]➭ TABLE 1 transitive verbto comment on ; (Radio, TV) [+ match] to commentate on ; [+ cérémonie officielle] to provide the commentary for* * *kɔmmɑ̃te1) ( dire son opinion sur) to comment on [décision, déclaration, événement]2) ( donner des explications) to give a commentary on [film, visite]3) Radio, Télévision ( décrire) to commentate on [match, événement]4) Littérature, École to comment on [texte]* * *kɔmɑ̃te vt1) [jugement, événement] to comment on2) RADIO, TV, [match, manifestation] to cover, to give a commentary on* * *commenter verb table: aimer vtr1 ( dire son opinion sur) to comment on [décision, déclaration, événement]; commenté par commented on by; commenta-t-il he commented;2 ( donner des explications) to give a commentary on [film, visite]; commenté par with a commentary by;[kɔmɑ̃te] verbe transitifon leur fait commenter Dante dès la troisième année d'italien they start doing literary criticism of Dante in the third year of Italian studies -
6 Х-8
(ВОН (ВОТ)) КУДА ХВАТИЛ (МАХНУЛ)! highly coll ЭК(А) (КУДА) ХВАТИЛ! substand (sent pfv past only fixed WOwhat you (he etc) said is grossly exaggerated, foolish etc: (now) that is (thatis) going too far!where'd you (he etc) get that from? what will you (he etc) say next? what put that idea into your (his etc) head?(in limited contexts) you have really surpassed yourself (he has really surpassed himself etc)! "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь готовится великолепная... поэма: „Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир...» - «Вон куда хватили!» (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to reada magnificent...poem: The Love of an Extortionist for a Fallen Woman'....1 have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).(Аммос Фёдорович:) Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. (Городничий:) Эк куда хватили! (Гоголь 4). (А.Е:) Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. (Mayor:) Where'd you get that from! (4a).Кто ж станет покупать их (мёртвые души)? Ну, какое употребление он может из них сделать?» — «А может, в хозяйстве-то как-нибудь под случай понадобятся...» - возразила старуха... «Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?» (Гоголь 3). "Who will want to buy them (dead souls)? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c). -
7 вон вот куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > вон вот куда хватил!
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8 вон куда махнул!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > вон куда махнул!
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9 вон куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > вон куда хватил!
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10 вот куда махнул!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > вот куда махнул!
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11 вот куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > вот куда хватил!
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12 куда махнул!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > куда махнул!
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13 куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > куда хватил!
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14 эк куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эк куда хватил!
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15 эк хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эк хватил!
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16 эка куда хватил
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эка куда хватил
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17 эка куда хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эка куда хватил!
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18 эка хватил
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эка хватил
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19 эка хватил!
[sent; pfv past only; fixed WO]=====⇒ what you (he etc) said is grossly exaggerated, foolish etc:- (now) that is < that's> going too far!;- where'd you <he etc> get that from?;- what will you <he etc> say next?;- what put that idea into your <his etc> head?;- [in limited contexts] you have really surpassed yourself <he has really surpassed himself etc>!♦ "...Не видать книг у вас! - сказал Пенкин. - Но умоляю вас, прочтите одну вещь; готовится великолепная... поэма: "Любовь взяточника к падшей женщине"... Я слышал отрывки - автор велик! В нём слышится то Дант, то Шекспир..." - "Вон куда хватили!" (Гончаров 1). "...Idon'tsee any books in your room!" said Pyenkin. "But one thing I urge you to read: a magnificent...poem: The Love of an Extortionist for a Fallen Woman'....I have heard extracts from it - the author is great! It has the ring of Dante...Shakespeare..." "Now that is going too far!" (1b).♦ [Аммос Фёдорович:] Это значит вот что: Россия... да... хочет вести войну, и министерия-то, вот видите, и подослала чиновника, чтобы узнать, нет ли где измены. [Городничий:] Эк куда хватили! (Гоголь 4). [А.Е:] Here's what I mean now: Russia... um, yes...wants to start war, and the ministry now, you see, has sent out a man to find out if there isn't treason somewhere. [Mayor:] Where'd you get that from! (4a).♦ "Кто ж станет покупать их [ мёртвые души]? Ну, какое употребление он может из них сделать?" - "А может, в хозяйстве-то как-нибудь под случай понадобятся..." - возразила старуха... "Мёртвые в хозяйстве! Эк куда хватили! Воробьёв разве пугать по ночам в вашем огороде, что ли?" (Гоголь 3). "Who will want to buy them [dead souls]? To what use can one put them?" "But perhaps they can be put to some use in the household on an occasion..." retorted the old woman.... "Dead men to be put to use in the household! You have really surpassed yourself! What for, pray? To set them up on poles to scare off sparrows in your vegetable garden at night, or what?" (3c).Большой русско-английский фразеологический словарь > эка хватил!
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20 Reading
1) The Discovery of Truth Depends on the Thoughtful Reading of Authoritative TextsFor the Middle Ages, all discovery of truth was first reception of traditional authorities, then later-in the thirteenth century-rational reconciliation of authoritative texts. A comprehension of the world was not regarded as a creative function but as an assimilation and retracing of given facts; the symbolic expression of this being reading. The goal and the accomplishment of the thinker is to connect all these facts together in the form of the "summa." Dante's cosmic poem is such a summa too. (Curtius, 1973, p. 326)The readers of books... extend or concentrate a function common to us all. Reading letters on a page is only one of its many guises. The astronomer reading a map of stars that no longer exist; the Japanese architect reading the land on which a house is to be built so as to guard it from evil forces; the zoologist reading the spoor of animals in the forest; the card-player reading her partner's gestures before playing the winning card; the dancer reading the choreographer's notations, and the public reading the dancer's movements on the stage; the weaver reading the intricate design of a carpet being woven; the organ-player reading various simultaneous strands of music orchestrated on the page; the parent reading the baby's face for signs of joy or fright, or wonder; the Chinese fortune-teller reading the ancient marks on the shell of a tortoise; the lover blindly reading the loved one's body at night, under the sheets; the psychiatrist helping patients read their own bewildering dreams; the Hawaiian fisherman reading the ocean currents by plunging a hand into the water; the farmer reading the weather in the sky-all these share with book-readers the craft of deciphering and translating signs....We all read ourselves and the world around us in order to glimpse what and where we are. We read to understand, or to begin to understand. We cannot do but read. Reading, almost as much as breathing, is our essential function. (Manguel, 1996, pp. 6-7)There is a pitched battle between those theorists and modellers who embrace the primacy of syntax and those who embrace the primacy of semantics in language processing. At times both schools have committed various excesses. For example, some of the former have relied foolishly on context-free mathematical-combinatory models, while some of the latter have flirted with versions of the "direct-access hypothesis," the idea that skilled readers process printed language directly into meaning without phonological or even syntactic processing. The problems with the first excess are patent. Those with the second are more complex and demand more research. Unskilled readers apparently do rely more on phonological processing than do skilled ones; hence their spoken dialects may interfere with their reading-and writing-habits. But the extent to which phonological processing is absent in the skilled reader has not been established, and the contention that syntactic processing is suspended in the skilled reader is surely wrong and not supported by empirical evidence-though blood-flow patterns in the brain are curiously different during speaking, oral reading, and silent reading. (M. L. Johnson, 1988, pp. 101-102)Historical dictionary of quotations in cognitive science > Reading
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